Question

What was the difference between art from Watteau which valued the newer style of Rococo art and Baroque the more traditional style?

Answer 1

Rococo salons are known for their elaborate detail, serpentine design work, asymmetry and predisposition to lighter, pastel, or gold-based color palettes.

• After the reign of Louis XIV, the wealthy and aristocratic moved back to Paris from Versailles and began decorating their homes in the new Rococo style that was associated with King Louis XV.
• The notion of the salon is an Enlightenment era ideal that transformed the salon, or living room, into the central space for aristocracy to entertain guests and engage in intellectual conversation.
• Rococo interiors are highly unified in nature, and represent the coming together of a number of decorative arts.
• As with other Rococo art forms, the color palette is lighter, the lines are curvaceous (‘S’ curve), and the decoration is excessive.
• Furniture rose to new heights in the period and emphasized lighthearted frivolity.
• Furniture, friezes, sculpture, metalwork, wall, and ceiling decoration are woven together stylistically in the Rococo salon.
• asymmetry: Lacking a common measure between two objects or quantities; incommensurability.
• serpentine: Sinuous; curving in alternate directions.
• mahogany: Any of various tropical American evergreen trees, of the genus Swietenia, having a valuable hard red-brown wood.
• palette: The range of colors in a given work or body of work.

18th century Europe, the Rococo style became prevalent in interior design, painting, sculpture, and the decorative arts. A reaction to the rigidity of Baroque style, the frivolous and playful Rococo first manifested itself with interior design and decorative work. In French, the word salon simply means living room or parlor, and Rococo salons refer to central rooms that are designed in the Rococo style. In addition, the notion of the ‘salon’ is an Enlightenment era ideal that transformed the living room into the central space for aristocracy to entertain guests and engage in intellectual conversation. The idea that one’s architectural surroundings should encourage a way of life, or reflect one’s values, was the philosophy of the time.

The Rococo interior reached its height in the total art work of the salon. Rococo salons are characterized by their elaborate detail, intricate patterns, serpentine design work, asymmetry, and a predisposition to lighter, pastel, and gold-based color palettes.

another means of reflecting status, furniture rose to new heights during the Rococo period, emphasizing the lighthearted frivolity that was prized by the style. Furniture design became physically lighter, so as to be easily moved around for gatherings, and many specialized pieces came to prominence, such as the fauteuil chair, the voyeuse chair, and the berger et gondola. Furniture in the Rococo period was freestanding, as opposed to wall-based, in order to accentuate the lighthearted and versatile atmosphere that was desired by the aristocracy. Mahogany became the most widely used medium due to its strength, and mirrors also became increasingly popular.

Rococo salons often employed the use of asymmetry in design, which was termed contraste. Interior ornament included the use of sculpted forms on ceilings and walls, often somewhat abstract or employing leafy or shell-like textures. Two excellent examples of French Rococo are the Salon de Monsieur le Prince in the Petit Château at Chantilly, decorated by Jean Aubert; and the salons in the Hotel Soubise, Paris, by Germain Boffrand. Both of these salons exhibit typical Rococo style with walls, ceilings, and moulding decorated with delicate interlacings of curves based on the fundamental shapes of the ‘S,’ as well as with shell forms and other natural shapes.

France, the style began to decline by the 1750s. Criticized for its triviality and excess in ornament, Rococo style had already become more austere by the 1760s, as Neoclassicism began to take over as the dominant style in France and the rest of Europe.

Rococo in Painting and Sculpture

Rococo style in painting echoes the qualities evident in other manifestations of the style including serpentine lines, heavy use of ornament as well as themes revolving around playfulness, love, and nature

Rococo Painting

Painting during the Rococo period has many of the same qualities as other Rococo art forms such as heavy use of ornament, curved lines and the use of a gold and pastel-based palette. Additionally, forms are often asymmetrical and the themes are playful, even witty, rather than political, as in the case of Baroque art. Themes relating to myths of love as well as portraits and idyllic landscapes typify Rococo painting.

Antoine Watteau

Antoine Watteau is considered to be the first great Rococo painter. His influence is visible in the work of later Rococo painters such as Francois Boucher and Honore Fragonard. Watteau is known for his soft application of paint, dreamy atmosphere, and depiction of classical themes that often revolve around youth and love, exemplified in the painting Pilgrimage to Cythera.

Francois Boucher

Francois Boucher became a master of Rococo painting somewhat later than Watteau. His work exemplifies many of the same characteristics, though with a slightly more mischievous and suggestive tone. Boucher had an illustrious career, and became court painter to King Louis XV in 1765. There was controversy later in his career as Boucher received some moral criticism from people such as Diderot for the themes present in his work. The Blonde Odalisque was particularly controversial, as it supposedly illustrated the extra marital affairs of the King.

There are numerous examples of Rococo buildings as well as architects. Among the most famous include the Catherine Palace in Russia, the Queluz National Palace in Portugal, the Augustusburg and Falkenlust Palaces in Brühl, the Chinese House in Potsdam, the Charlottenburg Palace in Germany, as well as elements of the Château de Versailles in France. Architects who were renowned for their constructions using the style include Francesco Bartolomeo Rastrelli, an Italian architect who worked in Russia and who was noted for his lavish and opulent works, Philip de Lange, who worked in both Danish and Dutch Rococo architecture, or Matthäus Daniel Pöppelmann, who worked in the late Baroque style and who contributed to the reconstruction of the city of Dresden in Germany.

Rococo architecture also brought significant changes to the building of edifices, placing an emphasis on privacy rather than the grand public majesty of Baroque architecture, as well as improving the structure of buildings in order to create a more healthy environment.