Question

In Lost in Translation, discuss how structuring a story on two characters pose advantage and disadvantages to the overall narrative of the film?

Answer 1

- Lost in Translation's beats are tranquil and internal. Film is concerned principally with searching out the subtleties that vibe like a greater arrangement' to assemble the fragile relationship of Bob and Charlotte the two main characters of the film.

- Lost in Translation is like a Miniplot. Miniplot doesn't mean no plot, for its story must be as perfectly executed as an Archplot. Or maybe, minimalism makes progress toward straightforwardness and economy while retaining enough of the old style that the film will even now fulfill the crowd, sending them out of the cinema thinking 'What a decent story!'

- We have two main characters here, Bob and Charlotte, both existentially abandoned Tokyo.

- Bob, a moderately aged entertainer shooting ads for whisky brand Suntory Time instead of doing films, feels separated from his life and his work. His better half is a nondescript adversary, sending him rack outlines and paint samples that tumble from envelopes and disperse over his lodging floor—disjointed and dubious proof of a house undergoing a shallow makeover

- Charlotte contrasts Bob in age as it were. Simply out of school with a way of thinking degree, she has no clue about what she needs to do with an incredible remainder. Added to this, she feels a widening separation among herself and her picture taker spouse John, whom she has went with to Japan. While he shoots promotion pictures for a band, Charlotte wanders in their lodging, or, more than likely meanders around the city capriciously.

- Bob and Charlotte both have wants, it's simply that neither one of them realize what their wants are. When they see that they can find this thing they're after together, they seek after it—maybe not as aggressively but they are dynamic in this interest.

- There is little in the method of outside components keeping Bob and Charlotte separated. His significant other is in America, enveloped with her remodeling venture; her better half is excessively distracted with his photography and conversing with a ditzy blonde on-screen character.

- Every one of that holds up traffic of their pseudo-sentimental companionship is their separate activities. The virtuoso of Lost In Translation is Coppola's capacity to catch these calm, internal battles in a way that feels similarly as large and significant as more plot-driven movies, without resorting to sensational blasts or emergencies

Key advantages are that the director was able to focus on the story and able to correct lot of little moments with intensity however the challenge is very selective audience will be able to appreciate the work of the director.