Question

Can I please get a page-long response on the short story "The Things They Carried"

Avoid summarizing and focus on literary elements

Answer 1

Indeed, even as O'Brien opens The Things They Carried, he presents the novel's essential themes of memory and creative mind and the open door for mental departure that these forces offer. For instance, as Lt. Cross travels through the thorough every day movements of battle obligation, his brain harps on Martha. Significantly, as he contemplates Martha, he doesn't only review recollections of her; rather he envisions what may be, for example, "sentimental outdoors trips" into the White Mountains in New Hampshire. O'Brien portrays these longings of Lt. Cross as "imagining." Pretending is a type of narrating, that is, recounting stories to oneself. O'Brien underscores the significance of Lt. Cross' activities by stressing the antiquities — Martha's letters and photo — and portrays Lt. Cross as the bearer of these assets just as of his adoration for Martha.
O'Brien moves from utilizing the artistic method of depicting the warriors' physical antiques to presenting the novel's essential characters. The moment subtleties he gives about items that people convey is telling, and specific consideration ought to be paid to these subtleties since they portend the center stories that include the novel. This strategy of recording the things the troopers convey likewise capacities to make more full composites of the characters, and by augmentation cause the characters to appear to be all the more genuine to perusers.
This esthetic of helping perusers interface with his characters is O'Brien's essential target in the novel, to cause perusers to feel the story he introduces as much as is truly and genuinely conceivable, as though it were genuine. In spite of the fact that the particulars that O'Brien incorporates — for instance the heaviness of a weapon, the heaviness of a radio, the heaviness of an explosive in ounces — appears to be unnecessary, it should be accretive in his perusers' minds with the goal that they can start to feel the physical load of the weights of war, just as, in the end, the mental and passionate weights (to such an extent as it is feasible for a non-observer to war to see). O'Brien's thoughtfulness regarding tactile detail likewise underpins this essential goal of bringing out a genuine reaction in the peruser.
With Lavender's passing, O'Brien makes a strain between the "fact" of Lt. Cross' investment in fight and his inside, envisioned dreams that give him shelter. In consuming Martha's letters and tolerating fault for Lavender's demise, Cross' clashing lines of reasoning sign the peruser to be wary when choosing what is truth or dream and when doling out significance to these accounts. While he pulverized the physical accessories, the tokens of Martha, Lt. Cross keeps on conveying the memory of her with him. To that memory is likewise included the weight of sadness and blame. Regardless of this enthusiastic weight, O'Brien, as he proceeds in the accompanying section, starts to feature the central question of the novel: Why individuals convey the things they do?

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