Question

Why can no one say where the story of La Llorona took place or whether it happened at all?

Answer 1

In the same way as other urban legends, there are incalculable stories about La Llorona, or the sobbing lady. There's another about a high school young lady who got pregnant however she had never really been with a man. In this version, it was not the young lady who suffocated the kids but rather her dad trying to conceal the disgrace . . . the young lady kicked the bucket along the riverbank from losing an excessive amount of blood.

In others, La Llorona is the deceiving spouse who suffocates her youngsters.

In any case, is there a likelihood that the legend used to be established in truth? As indicated by anthropologist Bernadine Santistevan, the soonest reference to a "sobbing lady" or La Llorona inside the Spanish culture dates to the sixteenth century and the Spanish conquistadores in Mexico.

In 1502, Santistevan found, a youthful Aztec young lady named La Malinche fell pitifully enamored with the acclaimed conquistador Cortez. Their relationship finished in two children. Yet, at that point Cortez settled on the official choice to venture out back to Spain, and he planned to carry his two children back with him. The greeting was not reached out to La Malinche—she would not give Cortez a chance to leave with her youngsters.

Bringing matters into her own hands, she hauled the two children down to the stream where she slaughtered them. Supposedly, she went through the following ten years looking and lamenting over the youngsters she had relinquished to her very own outrage.

Ever, La Malinche (otherwise called Malinalli, Marina, or even Malintzin which referenced both Cortes and La Malinche together as one) was one of twenty slaves given to conquerer Hernan Cortes and different Spaniards in 1519. This implies sooner or later the dates were exchanged, as it's trusted La Malinche was not in any case conceived until c.1496-1501.

The Mexican society story of the Weeping Woman, or La Llorona in Spanish, struck dread in each little youngster experiencing childhood in a Spanish-talking network.

The story begins with a wonderful young lady from a town who was so pleased with her looks that she would not wed any nearby man.

At some point, an attractive outsider lands in her town and she chooses to wed him.

Their relationship is tormented with inconveniences, be that as it may, and not long after they are hitched, the attractive outsider starts going through his days drinking with his companions and pursuing other ladies, and whenever he gets back home, he will just play with their kids.

Envious of their consideration, the delightful young lady tosses her youngsters in the stream in a visually impaired anger, however in a flash thinks twice about it. She pursues them down the riverbank, hits her head and tumbles to her demise.

Her apparition keeps on frequenting the riverbank, shouting out for her youngsters, as the legend goes.

With "The Curse of La Llorona," coordinated by Michael Chaves, in theaters, storyteller Joe Hayes disclosed to InsideEdition.com the foundation and criticalness of the legend.

"La Llorona is an incredibly uncontrollably known story and particularly in Mexico however everywhere throughout the American Southwest," Hayes said. "I knew it from my adolescence. We as a whole grew up feeling that she was from our little town."

He clarified that the story is so regularly informed that each network had their own rendition of the story, yet one thing remains the equivalent – audience members consistently trust La Llorona is nearby, and storytellers consistently appear to know somebody who has either heard or seen the undead mother.

Despite the fact that Hayes clarified it's indistinct when the story goes back to or how it even became, he trusts it could be gotten from Greek folklore, when Madea butchers her own children as vengeance against Jason.

"It appears to be just about the most terrible thing that can happen is the mother betrays her very own youngsters," Hayes said. "That has started individuals' creative mind everywhere throughout the world."

Regard exhortation to seniors, give less consideration to the shallow and keep your inner voice clean are for the most part ethics of the story additionally regular among legends and fantasies the world over, Hayes said.

Which isn't extraordinary, he included, for stories in Mexico that don't have indigenous roots.

"A large portion of the tales that are told from the northern piece of Mexico are likewise European stories," he clarified. "They are like the Grimm fantasies, yet they generally comprise of their very own overlay culture."

Unnerving stories, in any case, are rarer for the way of life. The ones that do get went down regularly have to do with underhanded witches and evil spirits.

"One of the gatherings that kept those alive was the nuns and Catholicism," Hayes clarified. "They would frighten the children into staying under control with those accounts of the fiend."

Also, as long-term devotees of the legend and new fans get ready to see La Llorona happen on the big screen, Hayes cautions not to ruin the well established act of narrating.

"At the point when individuals get the tales legitimately from the teller, that is as yet the most substantial approach to hear old stories," he said. "Audience members are making the story with their minds. The old conventional narrating is a holding action, something that makes a network among individuals. "